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永远的囚犯高清海报 - 碧海影城_冒险海洋影视逐浪畅看免费看,海洋冒险片 + 韩剧美剧番剧。 投屏离线缓存资讯更免费在线观看
413
7.0

永远的囚犯

导演:

亚历克斯·吉布尼

主演:

Stephen Gaudin,Ali Soufan,Abu Zubaydah,Steven Kleinman,Chantell Higgins,Daniel Jones,James Mitchell,Joseph Margulies,John Rizzo,Hesham Abu Zubaidah,Alberto J. Mora

别名:

未知

影片信息

7.0

413人评分

英语

语言

2021-12-06

上映时间

120分钟

片长

影片简介

Follows the story of Abu Zubaydah, the first high-value detainee subjected to the CIA's program, later identified as torture by those outside the agency.

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黑人商业教父高清在线观看 - 碧海影城_冒险海洋影视逐浪畅看免费看,海洋冒险片 + 韩剧美剧番剧。 投屏离线缓存资讯更
340
2.0
HD中字
黑人商业教父

评分:2.0

更新时间:02月13日

主演:克莱伦斯·埃文特,斯努普狗狗,吹牛老爹,莱昂内尔·里奇,苏珊娜·德帕塞,大卫·格芬,杰里·莫斯,赛西莉·泰森,吉米·詹姆,特里·刘易斯,杰米·福克斯

简介:

  几十年以来,世界上最知名的艺人、运动员和政治家在他们人生和职业生涯中最关键的时刻都向一个人寻求建议,包括格莱美奖®得主、名人堂成员、世界重量级拳击冠军和两位美国总统。此人就是克莱伦斯·埃文特。
  《黑人音乐教父》讲述了埃文特非凡而传奇的成名历程,这位音乐界高层通过自己开创性的幕后成就打造出众多杰出人物,例如比尔·威瑟斯、昆西·琼斯、穆罕默德·阿里、汉克·阿伦,以及总统比尔·克林顿和巴拉克·奥巴马。
  根深蒂固的种族主义已渗透到美国的每一个角落,在平等、忠诚和正义感的驱使下,埃文特摆脱南方的种族歧视制度,成为了一名出色的谈判专家。埃文特打破了人们对于黑人高管的概念,为有色人种艺人和高管重新定义娱乐圈,其利他主义的精神,也激励后人纷纷效仿。
  《黑人音乐教父》由荣获奥斯卡金像奖®提名的雷吉纳·哈德林执导,采访了斯努普狗狗、吹牛老爹、莱昂内尔·里奇、苏珊娜·德帕塞、大卫·格芬、杰里·莫斯、赛西莉·泰森、吉米·詹姆、特里刘易斯和杰米·福克斯等人,本片聚焦于将整个职业生涯奉献给照耀他人的音乐教父,揭秘了这位大师的真实故事。

阅读量:1130

年份:2019

黑人商业教父

主演:克莱伦斯·埃文特,斯努普狗狗,吹牛老爹,莱昂内尔·里奇,苏珊娜·德帕塞,大卫·格芬,杰里·莫斯,赛西莉·泰森,吉米·詹姆,特里·刘易斯,杰米·福克斯

情感的力量高清在线观看 - 碧海影城_冒险海洋影视逐浪畅看免费看,海洋冒险片 + 韩剧美剧番剧。 投屏离线缓存资讯更
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

永远的囚犯

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